| Preview | Paintings | Artist name |
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|  Imitator of Andrea Mantegna perhaps 1460-1550 | |
|  Imitator of Andrea Mantegna perhaps 1460-1550 | |
|  Imitator of Andrea Mantegna perhaps 1460-1550 | |
|  Imitator of Andrea Mantegna perhaps 1460-1550 | |
|  Studio of Bonifazio di Pitati early 16th century | |
|  After Bonifazio di Pitati early 16th century | |
|  After Correggio 16th century | |
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|  French (?) probably 16th century | |
|  French (?) probably 16th century | |
|  French, Fontainebleau School 16th century | |
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|  Follower of Giorgione early 16th century | |
|  Circle of Jan Gossaert early 16th century | |
|  Follower of Jan Gossaert early 16th century | |
|  Italian early 16th century | |
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|  Italian, Venetian 16th century | |
|  Liberale da Verona early 16th century | |
|  Workshop of Bernardino Luini early 16th century | |
|  After Bernardino Luini early 16th century | |
|  Quinten Massys probably about 1500-50 | |
|  After Quinten Massys probably about 1500-50 | |
|  After Quinten Massys probably about 1500-50 | |
|  Jan Mostaert early 16th century | |
|  Netherlandish early 16th century | |
|  Netherlandish 16th century | |
|  Netherlandish 16th century | |
|  Netherlandish early 16th century | |
|  Attributed to Palma Vecchio early 16th century | |
|  Follower of Pietro Perugino perhaps about 1500-50 | |
|  Portuguese early 16th century | |
|  Attributed to Jan Provoost early 16th century | |
|  Imitator of Raphael early 16th and late 19th century | |
|  Workshop of Andrea Solario early 16th century | |
|  Italian, Ferrarese 1520-50 | |
|  Italian, North about 1525-1600 | |
|  After Joos van Cleve probably 1525-50 | |
|  Attributed to the workshop of the Master of the Female Half-Lengths about 1525-50 | |
|  Style of the Master of the Female Half-Lengths about 1525-50 | |
|  Workshop of Master of the Female Half-Lengths about 1525-50 | |
|  Workshop of the Master of the Female Half-Lengths about 1525-50 | |
|  Attributed to Sodoma probably about 1525-50 | |
|  Attributed to the workshop of Pieter Coecke van Aalst 1527-50 | |
|  Follower of Titian probably 1530-1600 | |
|  Attributed to Corneille de Lyon 1534-74 | |
|  Attributed to Corneille de Lyon 1534-74 | |
|  Attributed to Corneille de Lyon 1534-74 | |
|  Attributed to Bernardino da Asola about 1535-50 | |
|  Italian, Florentine about 1535-50 | |
|  Lucas Cranach the Elder 1537-50 | |
|  Follower of Sodoma probably about 1540-60 | |
|  Lambert Sustris about 1540-55 | |
|  Titian and workshop begun about 1540-3, completed about 1550-60 | |
|  Girolamo da Carpi probably about 1545-50 | |
|  Jakob Seisenegger about 1545-50 | |
|  Style of Jan Cornelisz. Vermeyen about 1545-50 | |
|  Andrea Schiavone probably about 1548-50 | |
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|  Bronzino probably about 1550-70 | |
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|  After The Brunswick Monogrammist (?) 1550s | |
|  Attributed to Corneille de Lyon probably about 1550 | |
|  Attributed to Catharina van Hemessen about 1550 | |
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|  Italian, Venetian (?) probably late 16th century | |
|  Workshop of the Master of the Prodigal Son about 1550 | |
|  Andrea Schiavone about 1550 | |
|  Andrea Schiavone about 1550 | |
|  Titian and workshop about 1550-65 | |
|  Marcello Venusti after 1550 | |
|  Style of Adriaen Ysenbrandt about 1550 | |
|  Catharina van Hemessen 1551 | |
|  Catharina van Hemessen 1552 | |
|  Niccolò dell'Abate about 1552-71 | |
|  Giovanni Battista Moroni about 1554-8 | |
|  Workshop of Titian about 1554 | |
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|  Italian, Florentine probably 1555-65 | |
|  Attributed to Girolamo Macchietti about 1555-60 | |
|  Giovanni Battista Moroni about 1555-6 | |
|  Giovanni Battista Moroni about 1555 | |
|  Jacopo Tintoretto about 1555 | |
|  Giovanni Battista Moroni about 1556-60 | |
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|  Follower of Titian about 1558-62 | |
|  Giovanni Battista Moroni about 1559-60 | |
|  Giuseppe Salviati about 1559 | |
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