| Preview | Paintings | Artist name |
|---|
|  Imitator of Andrea Mantegna perhaps 1460-1550 | |
|  Imitator of Andrea Mantegna perhaps 1460-1550 | |
|  Imitator of Andrea Mantegna perhaps 1460-1550 | |
|  Imitator of Andrea Mantegna perhaps 1460-1550 | |
|  Studio of Bonifazio di Pitati early 16th century | |
|  After Bonifazio di Pitati early 16th century | |
|  After Correggio 16th century | |
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|  French (?) probably 16th century | |
|  French (?) probably 16th century | |
|  French, Fontainebleau School 16th century | |
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|  Follower of Giorgione early 16th century | |
|  Circle of Jan Gossaert early 16th century | |
|  Follower of Jan Gossaert early 16th century | |
|  Italian early 16th century | |
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|  Italian, Florentine perhaps about 1500-40 | |
|  Italian, Venetian 16th century | |
|  Liberale da Verona early 16th century | |
|  Workshop of Bernardino Luini early 16th century | |
|  After Bernardino Luini early 16th century | |
|  Quinten Massys probably about 1500-50 | |
|  After Quinten Massys probably about 1500-50 | |
|  After Quinten Massys probably about 1500-50 | |
|  Jan Mostaert early 16th century | |
|  Netherlandish early 16th century | |
|  Netherlandish 16th century | |
|  Netherlandish 16th century | |
|  Netherlandish early 16th century | |
|  Attributed to Palma Vecchio early 16th century | |
|  Follower of Pietro Perugino perhaps about 1500-50 | |
|  Portuguese early 16th century | |
|  Attributed to Jan Provoost early 16th century | |
|  Imitator of Raphael early 16th and late 19th century | |
|  Workshop of Andrea Solario early 16th century | |
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|  Francesco Bissolo probably 1505-30 | |
|  Andrea and Raffaello del Brescianino 1506-45 | |
|  After Giovanni Battista Cima da Conegliano perhaps about 1508-30 | |
|  Giampietrino probably about 1510-30 | |
|  Giampietrino probably about 1510-30 | |
|  Italian, North probably 1510-30 | |
|  Bernardino Licinio about 1510-30 | |
|  Attributed to Garofalo probably about 1515-30 | |
|  Bernardino Luini probably about 1515-30 | |
|  Lodovico Mazzolino probably about 1515-30 | |
|  Style of Bernaert van Orley 1515-41 | |
|  Attributed to Bacchiacca probably about 1520-30 | |
|  Garofalo probably about 1520-39 | |
|  After Hugo van der Goes probably about 1520-30 | |
|  Italian, Ferrarese 1520-50 | |
|  Netherlandish about 1520-30 | |
|  Attributed to Sodoma probably about 1520-30 | |
|  Giovanni Antonio Sogliani probably about 1520-40 | |
|  Vincenzo Catena probably 1523-31 | |
|  Attributed to Bernardino da Asola probably 1525-30 | |
|  Attributed to Bernardino da Asola probably 1525-35 | |
|  Giovanni Buonconsiglio probably 1525-37 | |
|  Pieter Coecke van Aalst probably 1525-35 | |
|  Circle of Pieter Coecke van Aalst probably 1525-35 | |
|  Circle of Pieter Coecke van Aalst probably 1525-35 | |
|  Circle of Pieter Coecke van Aalst probably 1525-35 | |
|  Circle of Pieter Coecke van Aalst probably 1525-35 | |
|  Circle of Pieter Coecke van Aalst probably 1525-35 | |
|  Correggio probably about 1525-30 | |
|  Jan Gossaert about 1525-30 | |
|  Italian, North about 1525-1600 | |
|  After Joos van Cleve probably 1525-50 | |
|  Attributed to the workshop of the Master of the Female Half-Lengths about 1525-50 | |
|  Style of the Master of the Female Half-Lengths about 1525-50 | |
|  Workshop of Master of the Female Half-Lengths about 1525-50 | |
|  Workshop of the Master of the Female Half-Lengths about 1525-50 | |
|  Master of the Mansi Magdalen probably about 1525-30 | |
|  Netherlandish probably 1525-30 | |
|  Giovanni Girolamo Savoldo about 1525-30 | |
|  Sodoma probably about 1525-35 | |
|  Attributed to Sodoma probably about 1525-50 | |
|  Attributed to the workshop of Pieter Coecke van Aalst 1527-50 | |
|  Garofalo probably about 1527-39 | |
|  Parmigianino about 1527-31 | |
|  Attributed to Polidoro da Caravaggio about 1528-30 | |
|  Girolamo da Treviso about 1529-31 | |
|  Augsburg, Unknown artist about 1530 | |
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|  Bonifazio di Pitati about 1530 | |
|  Style of Bonifazio di Pitati probably 1530-5 | |
|  Bartholomeus Bruyn the Elder probably 1530-40 | |
|  Lucas Cranach the Elder about 1530 | |
|  Dosso Dossi probably 1530-42 | |
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|  German, South about 1530-40 | |
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|  Italian, North probably 1530s | |
|  Italian, North about 1530-40 | |
|  Lorenzo Lotto about 1530-2 | |
|  After Bernardino Luini probably after 1530 | |
|  Follower of Quinten Massys about 1530 | |
|  After Michelangelo after 1530 | |
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|  Giovanni Antonio Pordenone probably 1530-5 | |
|  Giovanni Antonio Pordenone probably 1530-5 | |
|  Giovanni Antonio Pordenone probably 1530-5 | |
|  Follower of Titian probably 1530-1600 | |
|  Attributed to Girolamo da Carpi after 1532 | |
|  Workshop of Giulio Romano mid 1530s | |
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|  Hans Holbein the Younger 1533 | |
|  After Michelangelo after 1533 | |
|  Bartholomeus Bruyn the Elder probably about 1534 | |
|  Attributed to Corneille de Lyon 1534-74 | |
|  Attributed to Corneille de Lyon 1534-74 | |
|  Attributed to Corneille de Lyon 1534-74 | |
|  Polidoro da Caravaggio before 1534 | |
|  Attributed to Bernardino da Asola about 1535-50 | |
|  Attributed to Girolamo Genga about 1535 | |
|  Italian, Florentine about 1535-50 | |
|  Parmigianino about 1535-40 | |
|  Giovanni Girolamo Savoldo about 1535-40 | |
|  Follower of Jan van Scorel about 1535 | |
|  Sodoma probably about 1535-45 | |
|  Lucas Cranach the Elder 1537-50 | |
|  Hans Holbein the Younger 1538 | |