Circle of the Master of Liesborn, Saints Ambrose, Exuperius and Jerome
Two Shutters from an Altarpiece
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These two panels once formed the shutters of an altarpiece in the Benedictine abbey in Liesborn, a town in the north-western German region of Westphalia. Placed on either side of the centrepiece, the shutters would protect and conceal it when closed.
The artist’s identity is unknown, but he has been named after the altarpiece that he made for the high altar of the same church. Several fragments of the high altarpiece are in the National Gallery’s collection.
These two panels once formed the shutters of an altarpiece in the Benedictine abbey in Liesborn, a town in the north-western German region of Westphalia. Placed on either side of the centrepiece, the shutters would protect and conceal it when closed.
The artist’s identity is unknown, but he has been named after the altarpiece that he made for the high altar of the same church. Several fragments of the high altarpiece are in our collection.
Circle of the Master of Liesborn
This panel once formed the left shutter of an altarpiece in the Benedictine abbey at Liesborn in north-west Germany. The right-hand shutter, which shows Saints Gregory, Maurice and Augustine, is also in the National Gallery’s collection.Saints Ambrose, Exuperius and Jerome are shown here beneath...
Not on display
Circle of Master of Liesborn
This panel once formed the left shutter of an altarpiece in the Benedictine abbey at Liesborn in north-west Germany. The right-hand shutter is also in the National Gallery’s collection.This painting shows, from left to right, Saints Gregory, Maurice and Augustine. The gilded clasp that fastens Sa...
Not on display
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This fragment comes from a scene of Christ crucified which formed the central panel of an altarpiece made for the high altar of the Benedictine abbey at Liesborn. The crown of thorns, placed on Christ’s head to mock him, has pierced his skin and blood is running down his face. The letters ‘I.N.R....
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This is a fragment of an altarpiece made for the high altar of the Benedictine abbey at Liesborn. It comes from the central scene, which depicted the Crucifixion; a fragment showing Christ’s head is also in the National Gallery’s collection. It was common for Crucifixion scenes to include the Vir...
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This is a fragment from an altarpiece made for the high altar of the Benedictine abbey at Liesborn, and is one of three in our collection from the altarpiece’s central Crucifixion scene. The fluttering drapery at the top right is part of Christ’s loincloth, which situates this fragment to the rig...
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This is a fragment of a scene showing the Adoration of the Kings, which was part of an altarpiece made for the high altar of the Benedictine abbey at Liesborn. Two of the three kings kneel before the Christ Child, who lies in the Virgin Mary’s lap on a white cloth. They had followed a star to fin...
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This panel comes from an altarpiece made for the high altar of the Benedictine abbey at Liesborn in the west of Germany, and was probably originally placed to the left of the main scene showing the Crucifixion. It shows the Archangel Gabriel appearing to the Virgin Mary to tell her that she will...
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This is one of the few surviving intact scenes which once formed part of an altarpiece made for the high altar of the Benedictine abbey at Liesborn in the west of Germany. This painting is likely to have originally appeared to the right of the main scene showing the Crucifixion.Shortly after birt...
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Circle of the Master of Liesborn
This is one of two fragments in the National Gallery’s collection of a larger work which showed the Virgin and Christ Child seated in a garden. It depicts Saint Dorothy, who lived in Caesarea (Kayseri in modern-day Turkey) in the fourth century.Saint Dorothy is usually shown, as here, carrying a...
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Circle of the Master of Liesborn
This is one of two fragments in the National Gallery’s collection of a larger work that showed the Virgin Mary and Christ Child seated in a garden. It shows Saint Margaret, who was from the town of Antioch (in modern-day Turkey). She wears a headdress of pearls, as her name means ‘pearl’ in Greek...
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Circle of the Master of Liesborn
The Virgin Mary, who is being crowned with a wreath of roses by two angels, stands holding the infant Christ in her arms. A man wearing the black habit, or uniform, of a Benedictine monk kneels on the tiled floor at the Virgin’s feet, and holds a scroll inscribed in Latin with a prayer to her. He...
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Probably by the Master of Liesborn
This panel comes from the Benedictine abbey at Liesborn in Westphalia. The scene may have been inspired by the central panel of the altarpiece made by the same artist for the abbey’s high altar, fragments of which are also in the National Gallery’s collection.Its horizontal shape suggests that it...
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