Explore the paintings
Not on display
The sitter and the coat of arms at the upper left have not been identified. In the past the portrait has been described as being of a 'Medical Professor', presumably because of the presence of the skull. But in a 16th-century work this is more likely to be intended as a memento mori (reminder of the brevity of mortal life).
When it was acquired by the Gallery this painting was attributed to Holbein. Subsequently it has been described as German, Netherlandish and as a work by Nicholas de Neufchâtel. It has also been suggested that the painting is a fake of the early 19th century, but this is not the case. Recently, it has convincingly been proposed that the portrait was painted by the Brussels artist Michiel Coxcie.
When it was acquired by the Gallery this painting was attributed to Holbein. Subsequently it has been described as German, Netherlandish and as a work by Nicholas de Neufchâtel. It has also been suggested that the painting is a fake of the early 19th century, but this is not the case. Recently, it has convincingly been proposed that the portrait was painted by the Brussels artist Michiel Coxcie.
Further information
Essentials
In depth
The National Gallery, Trafalgar Square, London WC2N 5DN



