Aert van der Neer, A River Landscape with a Village
More paintings by Aert van der Neer
(Showing 6 of 8 works)
From the 1640s to the 1660s the Low Countries experienced a series of severe winters, and canals and rivers froze hard for weeks at a time. This wintry transformation of the towns and landscapes caught the imagination of many local artists, and Aert van der Neer was one of those who specialised i...
Not on display
The game of golf was played in the Middle Ages, but it became particularly popular in seventeenth-century Holland. It was called kolf, and was played on the ice. European winters in the mid-seventeenth century were severe. Rivers and canals froze so solid that the life normally lived in a village...
Not on display
Aert van der Neer was a specialist in painting landscapes with distinctive lighting effects – often under moonlight, or at the beginning or end of the day. The title given to this painting (probably in the eighteenth or nineteenth century) suggests that it’s set in the evening, though the cold bl...
Not on display
Aert van der Neer was one of the most successful specialists in moonlit landscapes, and this is one of many he painted. The moon here has appeared only briefly, breaking through a tiny gap in a cloudy sky. The cool light creates a contrast between the deep darkness in the shadowy outlines of the...
Not on display
This is one of Aert van der Neer’s largest paintings. A river takes centre stage, stretching into the middle distance beyond and reflecting back the slanting light of an evening sky and the darker shadows of the boats and trees.These effects and this mood are typical of van der Neer’s work, but u...
Not on display
Nowadays, many of us have little experience of clear moonlight – it’s often washed out by street lights or car headlamps. But in the seventeenth century the many moods and lighting effects of the night sky and the different phases and heights of the moon would have been a familiar part of everyda...
Not on display
Aert van der Neer was an expert at creating a sense of depth in his landscapes. Often, as here, he used the sinuous path of a river or inlet receding into the distance to emphasise the effect. In this picture he has gone a step further, using figures to reinforce that recession and to inject a se...
Not on display
Although the vast majority of the picture is taken up by the landscape, our perception of it hinges on the two figures standing in the gateway. The angle created by the dead tree and stumps in the left foreground guides our gaze to them, as does the red dress of the milkmaid, which stands out str...
Not on display
You've viewed 6 of 8 paintings