The National Gallery is collaborating with Birkbeck, University of London, on 'Transcriptions: Writing’, an innovative new project which involves postgraduate creative writing students producing a short fiction response to a painting from the Gallery’s collection.
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Lesley Saunders' response to Hammershøi's 'Interior'
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Elizabeth Sarkany's response to Hammershøi's 'Interior'
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Ilona Jesnick's response to Savoldo's 'Mary Magdalene'
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Angela Wray's response to Manet's 'Corner of a Café-Concert'
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Ilona Jesnick's response to Degas', 'La Coiffure'
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Matthew Wright's response to Titian's 'La Schiavona'
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Lesley Saunders' response to Massys: 'An Old Woman ('The Ugly Duchess')'
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Thea Bennett's response to Courbet, 'Still Life with Apples and a Pomegranate'
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Ros Kindersley's response to Cézanne: 'An Old Woman with a Rosary'
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Matthew Wright's response to Uccello: 'Saint George and the Dragon'
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Cynthia Medford Langley's response to Batoni: 'Time orders Old Age to destroy Beauty'
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Ginevra White's response to Titian: 'The Death of Actaeon'
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Martha Close's response to Gallen-Kallela: 'Lake Keitele'
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Matthew Wright's response to Daddi: 'Coronation of the Virgin'
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Alison Huntingdon's response to Zurbarán: 'Saint Francis in Meditation'
FeatureLesley Saunders' response to Massys: 'An Old Woman ('The Ugly Duchess')'
FeatureThea Bennett's response to Courbet, 'Still Life with Apples and a Pomegranate'
FeatureCynthia Medford Langley's response to Batoni: 'Time orders Old Age to destroy Beauty'
FeatureAlison Huntingdon's response to Zurbarán: 'Saint Francis in Meditation'
