The National Gallery is collaborating with Birkbeck, University of London, on 'Transcriptions: Writing’, an innovative new project which involves postgraduate creative writing students producing a short fiction response to a painting from the Gallery’s collection.
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Rebecca Cordingly's response to Holbein's, 'Christina of Denmark, 'Duchess of Milan'
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Deirdre Shanahan's response to Caravaggio's 'Salome receives the Head of John the Baptist'
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Laura Allsop's response to Caravaggio's, 'The Supper at Emmaus'
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Ingrid Glienke's response to Gossaert's, 'An Elderly Couple'
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James Evison's response to Hogarth's, 'The Graham Children'
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Sarah Walcott's response to Hogarth's, Marriage A-la-Mode: 4, The Toilette'
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Jacqueline Haskell's response to Ingres's, 'Oedipus and the Sphinx'
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Caroline Macaulay's response to Sandro Botticelli's 'Venus and Mars'
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Michelle Shine's response to Manet's, 'Corner of a Café-Concert'
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Catriona Jarvis's response to Pissarro's, 'The Louvre Under Snow'
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David Quéva's response to Giampietrino's, 'Salome'
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Emma Bradley's response to Manet's, 'Corner of a Café-Concert'
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Ilona Jesnick's response to Titian's 'Bacchus and Ariadne'
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Thea Bennett's response to Moretto da Brescia's 'Portrait of a Young Man'
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Ilona Jesnick's response to Moroni: 'The Tailor'
FeatureRebecca Cordingly's response to Holbein's, 'Christina of Denmark, 'Duchess of Milan'
FeatureDeirdre Shanahan's response to Caravaggio's 'Salome receives the Head of John the Baptist'
FeatureSarah Walcott's response to Hogarth's, Marriage A-la-Mode: 4, The Toilette'
FeatureThea Bennett's response to Moretto da Brescia's 'Portrait of a Young Man'
