The National Gallery, London

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Click here for more about Fra Bartolommeo, 'The Virgin adoring the Child with Saint Joseph'.

Detail of Fra Bartolommeo, 'The Virgin adoring the Child with Saint Joseph' , before 1511.
London, The National Gallery.

The Making of a Master:

Introduction

The Father's legacy

Imitating Perugino

Designing with Pintoricchio

Signorelli and movement

Leonardo da Vinci's emotion

Michelangelo's dynamism

Fra Bartolommeo's middle way



Raphael: From Urbino to Rome

The Making of a Master: Fra Bartolommeo's middle way

When Raphael moved to Florence he befriended Fra Bartolommeo, a talented artist and draughtsman who had abandoned art to become a friar, and had only just taken up art again. Fra Bartolommeo represented a middle way between the innovations of Michelangelo and Leonardo - a position Raphael would occupy.

Vasari said Raphael 'associated constantly with him, wishing to paint in the manner of the friar because he liked his management and blending of colours'.

When Alfonso d'Este, Duke of Ferrara, decided to possess a series of masterpieces by the greatest artists in Italy, both Raphael and Fra Bartolommeo were commissioned. However, they both died before executing their paintings, and it was left to Titian to complete the commission. His great painting 'Bacchus and Ariadne' was the result.