The National Gallery, London

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Click here for more about Pietro Perugino, 'Three Panels from a Certosa Altarpiece, Pavia'.

Detail of Pietro Perugino, 'Three Panels from a Certosa Altarpiece, Pavia', about 1496-1500.
London, The National Gallery.

The Making of a Master:

Introduction

The Father's legacy

Imitating Perugino

Designing with Pintoricchio

Signorelli and movement

Leonardo da Vinci's emotion

Michelangelo's dynamism

Fra Bartolommeo's middle way



Raphael: From Urbino to Rome

The Making of a Master: Imitating Perugino

After his father's death, Raphael went to Perugia, home of the leading artist of central Italy, Perugino. Vasari suggested that Raphael might have become Perugino's apprentice, but there is no evidence that this was the case.

Whatever the relationship, Raphael certainly learned a great deal from him and came to imitate his style so accurately that their paintings could not be easily distinguished.

Pope Leo X said that it was only upon seeing Michelangelo's work that Raphael was prompted to move beyond the style of Perugino.