I.T.E., Initial Teacher Education.  The National Gallery, London.
Click here to skip to main content.
Click here for the homepage.
Click here for the Primary I.T.E. section.
Click here for the Secondary I.T.E. section.
Click here for the I.T.E. tours page.
Click here for the contact us page.
 About 'The Banquet'
Image of 'The Banquet', by Sir James Dromgole Linton.
PICTURE RESOURCES

'The Banquet', 1882
by Sir James Dromgole Linton

 
One of a series of paintings telling the story of the life of a soldier about 500 year ago, painted for Charles Jacoby’s drawing room. The other paintings in the series are: ‘The Declaration of War’, ‘The Benediction’, ‘The Surrender’, and ‘Victorious’.

This painting, ‘The Banquet’, is the finale of the series, showing the triumphant celebration of the soldier’s success in battle. The painting shows a sumptuous banquet taking place. There are lots of wine containers around, food and drink are being served, but there is very lITEle evidence of food or plates on the table, perhaps the meal is drawing to a close and desert is being served.

Although the painting is Victorian, the costumes all relate to a much earlier time. The guests are all dressed very extravagantly, even the musicians and those serving the food and wine are dressed in rich fabrics with velvet shoes. One of the guests is sITEing on a special chair and is wearing a coat with huge fur trimmings, he is clearly a very special person, either the host or the guest of honour.
The banquet is taking place in an outdoor setting, but the surroundings are richly decorated and opulent. The floors and walls are marble, featuring many patterns, and above the table a coat of arms and several heraldic shields are clearly visible.

On a wall a small monkey sits, watching the proceedings and perhaps waiting for an opportunity to slip down to the table and steal a lITEle treat. Over the wall, in the distance a temple is clearly visible.

The central figure in the painting is a dancer. She alone wears flimsy clothes, no shoes and her feet look dirty. Her back is turned towards us; can we guess what she is thinking and feeling without seeing her face?

The audience show a mixture of re-actions towards her, some look bored, some entranced, and the waiter in front of the table seems to be looking at her with some concern, is he worried for her? Maybe related to her in some way? Although this is a celebration of a victory at war, only one person in the painting is obviously a soldier, are there more senior soldiers in non-military dress?
 
© Nottingham City Museums and Galleries. Photo © Nick Dunmur.



 Credits >