The National Gallery, London

Collection: Collection Features

Search:   Site Map
 

A Symbol of Happiness

Technique

 

Detail from Van Gogh, 'Sunflowers', 1888

Left: Detail from Van Gogh, 'Sunflowers', 1888. London, The National Gallery

 

Van Gogh's ‘Sunflowers’ uses an impressive range of different techniques, from tiny pointillist dots to thick sculptural strokes. He also breaks some of the cardinal rules of painting of the time.

The colour theories followed by the Impressionists dictated that to intensify colours, one should place opposing colours next to each other - yellow next to purple for example. Van Gogh experimented with putting the sunflowers against a blue background; but his later versions have yellow flowers, in a yellow vase, on a yellow table, against a yellow wall and yet the picture seems to radiate light.

Van Gogh was not trying to make an exact copy of reality in his paintings, and he did not use colour merely to imitate nature, but to express emotion.

Previous | Next

Back to The Greatest Painting in Britain

Introduction

Why Sunflowers?

Gauguin

Madness and Suicide

Technique

Van Gogh's Chair