Beneath the brushstrokes

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Go behind the scenes at the Gallery - explore the investigative work and technical examinations of the paintings with the Scientific and Conservation teams

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About the podcast clip:

 

Panels reunited: Curator Dillian Gordon and Martin Wyld, Head of Conservation, explain how the two pieces of the Umbrian Diptych – The Virgin and Child and The Man of Sorrows – were brought together at the Gallery

 

From the National Gallery Podcast: Episode Twenty Three (September 2008)

 

View and zoom in on an image of the two panels reunited in Italian, Umbrian, Umbrian Diptych, about 1260

Technical insight
MovieTechnical insight
Watch Conservation's Larry Keith restoring 'The Virgin of the Rocks'
Close examination
AudioClose examination
Scientific's Marika Spring and Conservation's Larry Keith: 'Adoration'
Close examination
MovieClose examination
Restorer Jill Dunkerton delves into 'The Tribute Money'
Close examination
AudioClose examination
Conservator Britta New: 'The Virgin and Child in a Mandorla with Cherubim'
Close examination
AudioClose examination
Curator Dillian Gordon and Conservation's Martin Wyld: 'Umbrian Diptych'
Paintings decoded
MoviePaintings decoded
Artist John Lessore and Restorer Jill Dunkerton: 'The Death of Actaeon'
Technical insight
MovieTechnical insight
James Heard discusses 'Christ taking leave of his Mother'
Close examination
MovieClose examination
James Heard uncovers 'Woman at a Window'
In conversation
MovieIn conversation
Curator Betsy Wieseman and James Heard: 'Adoration of the Shepherds'
Close examination
AudioClose examination
Conservation's Larry Keith and Scientific's Marika Spring: 'The Large Dort'
 
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