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Detail from Titian, 'Diana and Actaeon', 1556-59 About the paintings
Titian, 'Diana and Actaeon', 1556-59 
Titian, 'The Death of Actaeon', about 1559-75 |
Campaign for the Titians For the first time in two centuries, this display reunited Titian’s ‘Diana and Actaeon’ with its sequel, the National Gallery’s ‘Death of Actaeon’. The display was put on in support of the campaign by the National Gallery and the National Galleries of Scotland to secure ‘Diana and Actaeon’ for the nation. Titian’s ‘Diana and Actaeon’ is one of six large-scale mythological works inspired by the Roman poet Ovid. These works were painted for Philip II of Spain. Titian called his lyrical compositions ‘poesie’, the visual equivalents of poetry. Nothing he ever painted was more inventive in beauty and power. Shortly after finishing ‘Diana and Actaeon’, Titian embarked on ‘The Death of Actaeon’ showing the story’s tragic conclusion. Although the artist conceived this picture for Philip, he seems never to have resolved it to his satisfaction, keeping it in his studio until his death. Lucian Freud on Diana and Actaeon The artist gave his first interview in over 20 years to talk about this painting on Channel 4 News:
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