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'Strong Woman'

I made sure that my teeth had firmly gripped the cold metal bar. Instantly the weird metal taste came into my mouth. Then I slowly let go of the supporting rope. My body started to sway slowly from side to side. I regained my balance and then, slowly and carefully moved into my first position.

I wasn’t in the centre stage, I was on the side but still the spotlight was on me now. Everyone in the circus tent would be looking at me. I had done this routine a million times, again and again and again, but each time I did it for some reason I felt even more nervous. My hands got all hot and sweaty.

Why was the audience so quiet?

Did I do something wrong?

I grew more and more self-conscious every second. Then I heard someone shout out from the audience ‘go Miss La La go, you’re amazing!’ I was so happy. Along with that the whole crowd roared with delight. I heard them all screaming my stage name ‘Miss La La’; of course that’s not my real name. my real name, which I preferred to keep quiet, was Abither Thomas Jones. Even I believed that my name was Miss La La now.

James was holding the rope below me. He was one of my best friends. We always work together. I trusted him to keep hold of the rope holding me. I wanted to look down, I wanted to look at the audience, cheering em on, but I couldn’t. I kept reminding myself that I had to concentrate on the rope and my teeth. I like being in the circus - it was so much fun.

My muscle and teeth were straining now. I wanted to let go now. I liked what I was doing but it would get harder and harder every single second. But I didn’t, I didn’t let go.

Because I am a strong woman...

Fiza Rehman
 
Other transcripts:
"Prime Act"
"Strong Woman "
Image of quote from Roy's story.Click here for Roy Apps' story.
Image of a Roy Apps' Masterclass.Click here for Brian Flynn's Masterclasses.
Image of students.Click here for Student Responses.
Detail of ‘Miss La La at the Cirque Fernando’ by Degas, 1879.Click here for About the Painting.
Other links:
More about Roy Apps